Inevitably, as the sun was just disappearing, I noticed a sort of glow within the bus illuminating everyone in a red-ish gold. I sat there for a good fifteen minutes trying to picture it as a photograph, more importantly wondering if in the grander scale it was worth it to stand up and dig for my camera. I couldn't decide if it was a reflex urge to take a picture simply because the light was beautiful or if it sincerely meant something to me. I imagined it in a contact sheet as an image I would never scan, then as something moving, not deciding between either.
I eventually stood up to get my camera, settling back in as the bus turned a corner, behind a hill with a sunless tree-line; the instant was over. Again, I sat mulling over the meaning of it at all, and as the sun would occasionally peek back through I would look through the view finder, incessantly thinking of the purpose. After a span of time that seemed like the end of the light, we turned a corner and one last brilliant, red beam shot through the aisle. The debate moved aside as that sort of higher, subconscious decision-making mechanism within reacted.
I've since resolved the argument over when I should or shouldn't be photographing, realizing to be an artist means never really separating these positions--as exhausting as that can be--though, I do at times appreciate a day without taking a picture, or thinking in photography, as much as a day full of fruitful inspiration.
Chinatown bus, somewhere in CT |
It's life life. And not letting things slip by, like the red light, because of indecision or distraction. take that red light by the balls and don't ever let it go.
ReplyDeleteDON'T LET GO OF THE BALLS.
I had a bit of a breakthrough with this philosophy sometime during my adventures last summer...
ReplyDeleteI decided that some moments were worth keeping for myself. The memories were always made that much stronger through the internal debate of to shoot or not to shoot.